Sunday, October 23, 2011

Excerpted from "River of Smoke": A novel by Amitav Ghosh


Deeti’s shrine was hidden in a cliff, in a far corner of Mauritius, where the island’s eastern and southern shorelines collide to form the wind-whipped dome of the Morne Brabant. The site was a geological anomaly—a cave within a spur of limestone, hollowed out by wind and water—and there was nothing like it anywhere else on the mountain. Later Deeti would insist that it wasn’t chance but destiny that led her to it—for the very existence of the place was unimaginable until you had actually stepped inside it. The Colver farm was across the bay, and towards the end of Deeti’s life, when her knees were stiff with arthritis, the climb up to the shrine was too much for her to undertake on her own: she wasn’t able to make the trip unless she was carried up in her special pus-pus—a contraption that was part palki and part sedan chair. This meant that visits to the shrine had to be full-scale expeditions, requiring the attendance of a good number of the Colver menfolk, especially the younger and sturdier ones.


Listen To A Musical Interpretation of Murakami’s ‘The Wind-Up Bird Chronicle’

If you’re getting a little sick of all those run-of-the-mill book reviews and formulaic music journalism, we don’t blame you. There are only so many ways to describe a sentence, after all. But try this on for size: New York City-based composer Ryan Anthony Francis has composed ‘Wind-Up Bird Preludes,’ a piano set based on Haruki Murakami’s beautiful novel The Wind-Up Bird Chronicleincorporating both literary and musical allusions into his work. 
Taken from: http://flavorwire.com/category/books

Why is poetry feared?

Muriel Rukeyser

In her 1949 book of essays, The Life of PoetryMuriel Rukeyser embraces poetry as an essential agent of change. The book begins with an exploration of resistance, most notably in an essay on "The Fear of Poetry." In the Foreword, Jane Cooper writes: "Why is poetry feared? Because it demands full consciousness; it asks us to feel and it asks us to respond. Through poetry we are brought face to face with our world and we plunge deeply into ourselves, to a place where we sense, [as Rukeyser wrote] 'the full value of the meanings of emotions and ideas in their relations with each other, and... understand...in the glimpse of a moment, the freshness of things and their possibilities.'"

Jeffrey Angles

Jeffrey Angles
Angles's many translations of contemporary Japanese poetry include Soul Dance: Poems of Takako Arai (Mi'Te Press, 2009); Killing Kanoko: Selected Poems of Ito Hiromi (Action Books, 2009); Forest of Eyes: Selected Poems of Tada Chimako (University of California Press, 2010) which was selected for the 2011 Harold Morton Landon Translation Award from the Academy of American Poets; and Intimate Worlds Enclosed by Takahashi Mutsuo (Kawamura Memorial Museum, 2010).

Friday, October 14, 2011

“The Little Prince”

“The Little Prince” continues through Oct. 16 at the New Victory Theater, 209 West 42nd Street, Manhattan; (646) 239-6200, newvictory.org.

10 Best-Selling Books That Were Originally Rejected





Six Words on the Jewish Life


"Found Jewish princess. Good-bye succulent pork."
"Didn't get Seinfeld 'til met in-laws."
"Moved to Israel. Rest is history."

Watch videos of Walter Mosley, Deborah Kopagen Cohen, Anthony Giglio, and more from  Six Words on the Jewish Life Show at 92YTribeca in NYC.

Six Words on the Jewish Life

10 Disturbingly Brilliant Graphic Novels

Filip Marinovich and Doug Nufer


Sat Oct 15, 4:00 PM
at Bowery Poetry Club, 308 Bowery, New York, NY
Segue Reading Series
Filip Marinovich is the author of Zero Readership (UDP 2008) and And If You Don’t Go Crazy I’ll Meet You Here Tomorrow (UDP 2011). He wrote and directed the plays Skin Around The Earth,Throne Room Snow, and The Karma Bookshop for his theater company Comet Party. His work has been published in Brooklyn Rail, EOAGH, Aufgabe, Village Zendo Journal, and 6×6. He is a poet living on earth for the moment.


Poetry & Fiction Master Class with Sapphire

The deadline to apply for this class is ThuOct 275 pm. Applicants must submit two copies of their manuscript. Those accepted will be notified by telephone, all others by e-mail. In this intimate master class, six students will workshop their fiction or poetry with poet and novelist Sapphire.

Cheap Art America is MacGregor Douglas Harp and Victor Hu.

Cheap Art America

FINALISTS ANNOUNCED FOR 2011 NATIONAL BOOK AWARDS

2011 National Book Award Finalists

Wednesday, October 5, 2011

A Mortal Affect by Vincent Standley

Calamari Press is pleased to announce the publication of A MORTAL AFFECT by Vincent Standley. To find out more about the book or to get a copy, go to: http://www.calamaripress.com/mortal_affect.htm 

A Mortal Affect by Vincent Standley

Debut short fiction from John Chu, "Thirty Second From Now


Press Release for Dzanc Books latest program


For Immediate Release


September 30, 2011 (Ann Arbor, MI)--Dzanc Books is pleased to announce our newest writing workshops.  The Dzanc Sessions are designed for writers who are ready to amplify, polish, and advance their writing. An eclectic platform of craft-based workshops are offered in a series of online sessions throughout the year, with specializations in fiction, nonfiction, poetry, and screenwriting. The Dzanc Sessions are an extended form of Dzanc's current one-on-one mentoring program which, in the last year alone, has enabled Dzanc students to have their works published in dozens of leading journals, including PANKThe North American ReviewThe Citron Review, and many others.   Dzanc instructors including Meg Pokrass, Amy Minton, Janet Freeman, Yelizaveta P. Renfro, Robert Lopez, Gail Konop Baker, and others have taught workshops both independently and through universities and have published many widely praised books, as well as seen their work included in Best of the Web, the Wigleaf Top 50, and Best American Essays.

The initial sessions will debut in October: a slate of six workshops are led by award-winning literary artists who are committed to engaging deeply with your work. In these classes, both beginning and experienced writers will find opportunities to strengthen their writing, to approach it from new angles, and to grow as confident and skilled creators. In each workshop, writers will receive detailed feedback on multiple drafts of their writing.

The sessions will begin the week of October 16. Each class spans eight or ten weeks. The content of the class is the same regardless of the time span; it is merely accelerated in the eight-week version. Eight-week Session One classes run through the week of December 4. Ten-week classes run through the week of December 18.

The price for workshops is $325 and can be paid through PayPal. The cost also includes a three-month membership to the Dzanc Books eBook Club(Or, if you do not have an e-reader, you can select a free copy of any print title from Dzanc Books.) The bulk of registration fees support the non-profit work of Dzanc Books. A portion of it supports the work of the instructors and the administration of the Dzanc Sessions.

More specific details as well as individual course descriptions can be found at the Dzanc Books website at http://www.dzancbooks.org/dzancsessions/ and questions can be sent to the Dzanc Sessions Administrator, Anna Clark at annaleighclark@yahoo.com .

About Dzanc Books

Dzanc Books was created in 2006 to support great writing through the publishing of amazing new works, and to advance nationally by way of our community outreach programs the growth of  public readings and creative writing workshops.  As a non-profit, 501(c)3 organization, Dzanc Books not only publishes literary fiction, but works in partnership with literary journals to advance their readership at every level. Dzanc is also fully committed to developing educational programs in schools.

For more information on Dzanc Books and its mission, imprints, books, authors, awards, and programs, please visit www.dzancbooks.org.

Life of Addiction by Jason Anderson

Check out some great new poetry from WritingRaw.com


When friends have all abandoned the soul
and loved ones have decided to disown the heart
the outcast looks for refuge from his/her society
by escaping to a local bar searching for comfort.
Finding it in the potent taste of an intoxicating elixir
they delve their taste buds first into glasses of whiskey
preparing themselves for the numbness of their senses
that soon will follow the consumption of more alcohol.
Next, they move onto an even more dynamic liquid
exploring the dangerous combination of liquor and pills
while their thought of mind slowly spirals out of control
succumbing to the temptation of corruption by hopelessness.
Overwhelmed with insurmountable pain and heartache
these innocent victims become intertwined with this life of addiction.

© 2011, Jason Anderson

Desert by Sumana Roy

Sumana Roy.jpg

An early draft of Sumana Roy’s first novel, Love in the Chicken’s Neck, was longlisted for the Man Asian Literary Prize 2008. She lives in the “Chicken’s Neck” region of India.

We sat on crispy sand,
our spines in afternoon thaw,
looking out on old school bells
gathering echoes on the Thar.
We spoke about camel-
stomached love, the eucalyptus
men and women who’d
promised to grow sky-
old with us.
The desert is a virgin—
its skin only as old
as the last thought.
New hymen patterns
on every breath.
Love bites on dunes,
like goose bumps
on our dawn-damp skin.
Our furry whispers
were windows of delight.
My thinness was a belief
that transformed you
into a butterfly.
You grew wings
and looked for peace
whose address is
always next door.
You took a roll call
of all tall smiles
that bended
their necks to enter
through your garden arch.
I wanted a tree
to scratch my back.
There were none.
Only giant cacti thorns.
The eyes of women
dropping from your mouth
left me in sweat.
I searched for shade.
Where are the shadows
of desert lovers?
I looked upwards,
mumbled scanty whispers.
The sky is the waiter
who takes your order and smiles.
You are restless.
Nothing arrives.
Memory is a wall
guarding our houses.
A black goat enters,
chews air and leaves.
Gun-bags of sandy silence
are embankment.
A desert is
all neighborhood.
We roam, we loiter,
we never enter.
Its curfew-hour
patience unnerves us
until the sun clears its throat
to arrive
and you slither
into a desert corpse
to wait for
a war-burnt lover.
Taken from: http://www.guernicamag.com/

Filmmaker and Author John Waters to Host National Book Award Poetry Finalist Patricia Smith to DJ

2011 5 Under 35 Honorees
The 2011 5 Under 35 Honorees are:  

  • Shani BoianjiuThe People of Forever Are Not Afraid
    (Hogarth, an imprint of Crown Publishers, forthcoming in 2013)
    Selected by Nicole Krauss, National Book Award Fiction Finalist for 
    Great House, 2010      
  • Danielle EvansBefore You Suffocate Your Own Fool Self   
    (Riverhead Books, 2010)
    Selected by Robert Stone, Winner for 
    Dog Soldiers, 1975, and Finalist for A Flag For Sunrise, 1982 and 1983,Outerbridge Reach, 1992, and Damascus Gate, 1998
  • Mary Beth KeaneThe Walking People
    (Mariner Books/Houghton Mifflin Harcourt, 2009)
    Selected by Julia Glass, Fiction Winner for 
    Three Junes, 2002
  • Melinda MoustakisBear Down, Bear North: Alaska Stories
    (The University of Georgia Press, 2011)
    Selected by Jaimy Gordon, Fiction Winner for 
    Lord of Misrule, 2010
  • John Corey WhaleyWhere Things Come Back
    (Atheneum Books for Young Readers, 2011)
    Selected by Oscar Hijuelos, Fiction Finalist for 
    The Mambo Kings Play Songs of Love, 1989