Thursday, April 26, 2012

A longtime friend of the Poetry Center, John Irving returns to 92Y to read from his new novel, In One Person.



Date: Sun, May 13, 2012, 8 pm

Location: Lexington Avenue at 92nd St

Poem in Your Pocket Day Video

An Interview with Steve O'Brien

Image of Steve O'Brien


Is there any special method to your writing?
I’m not sure it is special, but what works for me. I plan and outline for months. Optimally, I try to break the story into four sections. Set up, Reaction, Attack and Resolution. Each section ends with a “turning point.” This is an event or reaction to an event that causes a change in the story or a character’s motivation in response to what has happened. Then I prepare a beat sheet of each scene. Some beat sheets can be very lengthy. Mine is just a word or two about what will happen and I identify the point of view character for the scene. Sometimes scenes will be entire chapters, sometimes multiple scenes will go into a chapter. It all depends upon the pacing I am trying to create. Once the beat sheet is done I start writing. Much will change from my original design and beat sheet as I get into the writing process, but I have a “map” for the story which I follow. Odd as it sounds I go back and completely re-write the first chapter after the initial draft is done. The first chapter is critical and I don’t think it can be written until the whole story is on paper. Then I re-write, re-write and re-write. When I finish that, I re-write some more.

How many hours a day do you spend reading/writing?
My days vary considerably. I would love to be able to say I write every day, but I don’t. I read every day and on days I write, it may be 30 minutes or three hours. I have a personal neurosis that once I envision a scene in my head, I can’t move on until I’ve put it all on paper. That keeps me focused on the current scene or chapter rather than worrying about all that will come after.

What inspires you to continue being a writer?
I love the process. My best days are when I write something that I think is particularly good. The other thing is, like any craft, the more you do, the better you get. That doesn’t make it easier; it just makes it more exciting.

If you could have been the author of any novel, which title would it be and why?
Wow, great question. I’d have to go with To Kill A Mockingbird. It is a brilliant story that incorporates justice, fairness, innocence, righteousness, tension, action, and compassion. I think having the character Scout as the narrator was in itself a stroke of genius.

Do you think you will ever change audiences?
I don’t think I want to change audiences as much as broaden my audience. I think of authors like Richard North Patterson or the late Michael Crichton. Rather than repeating characters with new plots, they specialize in unique one off stories that have extremely diverse settings and themes—to the point that they become almost social commentators. Each book is its own dimension and the topics broaden their audience rather than trying to jump to a new genre completely.

What advice would you give anyone who wants to become a published author?
1)      Write because you love it. This is really the only rule that matters. If you don’t love it and love the process of writing, then the work won’t be authentic.  If you don’t love writing, do something else with your life.
2)      Become a critical reader. Study works by other writers and deconstruct their books. Don’t copy what you find, but learn and apply the discoveries to your work.
3)      Opinions about your writing are neither right nor wrong. They are just opinions. Value the ones you think are right and discard the ones that you think are wrong. No book is perfect for every reader/editor/publisher.
4)      Your best book is not the one you’re working on. It is the one after that and the one after that and so on. If you believe in number 1) above just keep going. Don’t ever stop.

And do you have a list of favorite books/authors?
The Crossing, Cormac McCarthy (actually anything by Cormac McCarthy)
A Heartbreaking Work of Staggering Genius, Dave Eggers
A Million Miles in a Thousand Years, Donald Miller
The Mayor of Lexington Avenue, James Sheehan
I also love anything by Greg Iles, James Rollins and Lee Child.






Thursday, April 19, 2012

This Isn't the Sort of Thing That Happens to Someone Like You


Jon McGregor is the author of the critically acclaimed If Nobody Speaks of Remarkable Things, So Many Ways to Begin and Even the Dogs. He is the winner of the Betty Trask Prize and the Somerset Maugham Award, and has been twice longlisted for the Man Booker Prize. He was runner-up for the BBC National Short Story Award in both 2010 and 2011, with 'If It Keeps on Raining' and 'Wires' respectively. He was born in Bermuda in 1976. He grew up in Norfolk and now lives in Nottingham. www.jonmcgregor.com @jon_mcgregor

Let's Pretend This Never Happened: (A Mostly True Memoir)

For fans of Tina Fey and David Sedaris—Internet star Jenny Lawson, aka The Bloggess, makes her literary debut.
Jenny Lawson realized that the most mortifying moments of our lives—the ones we’d like to pretend never happened—are in fact the ones that define us. In Let’s Pretend This Never Happened, Lawson takes readers on a hilarious journey recalling her bizarre upbringing in rural Texas, her devastatingly awkward high school years, and her relationship with her long-suffering husband, Victor. Chapters include: “Stanley the Magical, Talking Squirrel”; “A Series of Angry Post-It Notes to My Husband”; “My Vagina Is Fine. Thanks for Asking”; “And Then I Snuck a Dead Cuban Alligator on an Airplane.” Pictures with captions (no one would believe these things without proof) accompany the text.

Bookshop

Crime Fiction Academy

The just-opened Crime Fiction Academy, part of The Center for Fiction, 17 E. 47th [5th/Mad], is a program dedicated to crime fiction writing and boasts a very starry faculty roster, including Lawrence Block, Linda Fairstein, Susan Isaacs, Dennis Lehane, Elmore Leonard, Val McDermid, and Joyce Carol Oates.

The 66th anniversary of the Edgar Awards

The 2012 Edgar Banquet will be on Thursday, April 26, 2012 at the Grand Hyatt Hotel. The hotel is located on East 42nd Street at Grand Central Station. Cocktails will be at 6:30 pm, dinner at 7:30 pm. The awards program will begin after dinner and will be emceed by our current president. Order Banquet tickets onlne here.
Dress: Dress to Kill - Black Tie Preferred

Wednesday, April 18, 2012

Redemption Day

About the Book:
Redemption Day is a highly paced thriller set in Washington DC. The story is founded upon historical events and documented teachings of the Posse Comitatus. The Posse was an anti-government militia group in the 1980' s that tried to convince farmers that banks could not lawfully foreclose on their properties. Their beliefs led to the bombing of the Murrah Federal Building in Oklahoma City on a date of significance to the group April 19.



About the Author:
Steve O' Brien is an award winning novelist and attorney. Redemption Day is his third novel. His books have received multiple literary awards. He lives in Washington, D.C.


My Opinion:
Since terrorists and the threat of terrorism are currently a hot topic in the United States, this book really peaked my interest. People are intrigued by home grown terrorism and their constant threat in the United States today.  


The story starts with a kidnapping of a Supreme Court Justice, Silvio Caprelli on a Washington D.C. parkway. The protagonist, a contracted analyst for the Government, Nick James is fired from his job one day and the next framed for murder. The two stories collide. Nick is a believable character who is drawn into criminal events he is ill prepared to face. He finds himself between a terrorist group and the government. The FBI wants him captured and the terrorists want him dead. Nick must try to figure out who is behind the kidnapping and what they have planned before the terrorists strike and he and everyone else run out of time.  Overall, I thoroughly enjoyed the characters back stories as the mystery began to unravel. 


To say this is a page turner is an understatement. I was literally on the edge of my seat. It turns out that the kidnappers are the Posse Comitatus - the group that Nick has been following for the last three years. He knows they did it he just can't prove it. The Posse Comitatus is a loosely organized far right social movement that opposes the United States federal government and believes in government on a local level only. They refuse to pay taxes or obey government laws. This book is full of action, adventure, torture scenes, and surprises that keeps you guessing until the end. 


The historical statements, discussed in the Author’s Note, adds to the thrill of this book. It is action-packed from beginning to end, with something for every reader- politics, suspense and even a hint of romance. In that respect, I feel that Steve O'Brien hit the mark with this book and I look forward to reading more of his work. Redemption Day would be a great book for a book club or reading group. If you enjoy reading suspense and terror, or just enjoy a good mystery this is the right book for you. There is some strong situations etc. so I’d recommend it for older teens and adults.

You can purchase Redemption Day at Amazon.com

Disclosure:  I received a copy of Redemption Day gratis. Any opinions expressed are my honest opinions and were not impacted by my receipt of the free book. I received no monetary compensation for this post.

Monday, April 16, 2012

Excerpt from Redemption Day by Steve O'Brien


Where the hell is back up?

 The two men scrambled to either side of the vehicle and continued firing. The side windows blew out quickly. Agent Gray fired his weapon once, Jaspers not at all. In a matter of seconds, their bodies were bloodied and riddled with bullets. The men ran to the back door of the escalade. It was locked.

 One of the men reached through the space that used to be the driver's side window and popped the lock. The back doors were thrown open. Justice Caprelli, stretched on the floor of the SUV, held his hands forward.

 "Get out."

 Caprelli started to get up off the floor when a hand gripped the back of his shirt and yanked him out of the vehicle. The man was a gorilla holding the Supreme Court Justice like a puppet. Caprelli's hands were out to the side, his airway constricted by the man with the death grip on the collar of his pressed white dress shirt. He was being dragged to the lead van.

 "Wha--what do you--" Caprelli garbled, but couldn't finish.

 The man threw him into the side of the van. Caprelli fell to the ground, blood oozing from a cut over his eye from being slammed into the van. A man in a blue T-shirt grabbed the justice's tie and lifted him to his feet.

 "Get your clothes off."  This came from the tallest of the three in the green shirt and jeans, the one who had ripped him like a rag doll from the SUV.

"What? What are you--?”  The assault weapon's butt hit him square in the face, knocking him back into the van. Pain seared through his face, between his eyes. He slid down the side of the vehicle into a seated position. The tie grabber picked him up again.

 "No questions. Get your clothes off. Now!"

 Caprelli was dazed and disoriented by the blow, but fumbled with his fingers to get his shirt and pants off. He trembled, not from the cool air, but from sheer terror.

 One man ran back to the red van and pulled out a whiskey bottle. He reached inside the SUV's broken window and shattered it against steering wheel.

 "Everything," green shirt yelled at him.

 The justice slid his boxer shorts onto the ground and tugged off his socks. Completely naked, he covered himself with his hands.

"Get in," he said, motioning to the open side compartment.

 The man in the blue T-shirt reached down and pulled the wallet from the pants. He started to examine the contents as the man in the green shirt slapped it from his hands.

"Hey, the cash," blue T-shirt pleaded.

 "Ya dumbshit."  Green shirt threw the wallet into the van and pushed the justice in behind. "Let's go."  He nodded to the man standing by the bullet-riddled SUV. That one fired up a Zippo and tossed it into the front seat. Flames erupted, dancing inside the front seat of the disabled carcass.

The vans burned rubber accelerating through the overlook, shooting back onto GW Parkway. Moving at high speed, dodging back and forth in the lanes, they shot past other vehicles.

 At the McLean exit, one van got off the parkway, the other kept speeding westward.

 Caprelli fell face forward and was kicked and bounced as the van rocketed up to speed. His upper body was pinned between the back of the driver seat and a smooth flat, object to his left side. His heart pounded; he was breathless and certain that his nose was broken. He pressed it between his fingers to staunch the bleeding.

 Who were these guys? Where were they taking me? What did they want?

 Questions swirled. He knew all of the answers were bad.

Terror surged through him like an electrical current. How long before anyone will know I’m gone? How much money do they want? Will Stella be able to get the money together? Stella. Oh God. What’s going on? Blood rolled down his cheek and into his mouth.

 Be calm, he thought. He took two deep breaths. Be smart. You'll get through this, whatever it is. Be calm.

He rolled onto his shoulder and pushed himself into a seated position. He was going to confront his captors. He opened his lips, but before sounds could come out, he froze. The sheer terror of the attack was nothing compared to what he saw now.

 He stared at the smooth flat object next to which he had lain seconds before. Caprelli's breath was trapped in his throat as he stared, unable to remove his eyes.

 It was a wooden casket.

Does Getting a Graduate Degree Help You Become a Better Writer?

Guest Post: This post was written by professional writer and researcher, Brooke Folliot


Students traditionally seek to earn a graduate degree in order to ensure career advancement. As the Internet is also offering more and more graduate education, taking online graduate courses can also be a means of obtaining a degree.  For writers, though, the educational path is not as clear. Writers improve by practicing their craft. This can be achieved independently, through writers groups, in a formal writing program, or any combination of the three. Is a graduate degree necessary for writers to succeed?

According to college guide Peterson’s, the typical graduate tuition is $50,000 for two years, with programs requiring anywhere from two to seven years to complete. Online programs can be a more economical option. Southern New Hampshire University offers several online creative writing master of arts degrees. Tuition is $1,827 per course (as of Spring 2012), with a total of less than $22,000 for the curriculum.

The University of New Orleans (UNO) offers a low-residency master of fine arts in creative writing. The Huffington Post listed UNO’s graduate writing degree as one of its 25 underrated MFA programs, stating that “there's no reason not to leap” at the low-residency option, especially since many students can get full funding.

Writers enroll in graduate school with the goal of improving their skills as writers. But, are graduate programs designed to accomplish this goal? While any writing-intensive graduate program will strengthen writing skills, a writing program in your desired discipline – either journalism or creative writing -  will benefit you in the long run according to some experts.

A writing program can serve as a sort of modern-day writer’s salon, according to the University of Florida’s MFA website. Collaborating and studying with other writers can expose you to ideas and thoughts you might otherwise never consider. Making professional connections can also be a benefit of graduate writing programs.

Some successful authors have proven that an advanced writing degree isn’t essential. Michael Crichton’s medical degree and science background helped him immensely when he wrote Jurassic Park and created the hit TV show ER. Chick Lit author Emily Giffin practiced law for several years before pursuing her writing career. She has gone on to write several popular books such as the Something Borrowed series, which was recently made into a movie and features a lawyer as the protagonist.

Not everyone believes that graduate programs are necessary, however. According to blogger and career coach Penelope Trunk, any non-science graduate degree is a waste of time and money. While her blog post doesn’t discuss writing careers in particular, instead focusing on business degrees, she makes several applicable points, notably that the money and time wasted in graduate school would be better spent gaining life experience.

Forbes contributing writer Frances Bridges echoes many of Trunk’s points in her article “Why You Shouldn’t Go to Grad School”. Bridges bartended for a few years after she earned her undergraduate degree instead of attending graduate school. She writes that “in the same amount of time it would’ve taken me to get a master’s I worked, made money, and now work for publications writers would give fingers to work for.”

The benefits of a graduate program might be worth the costs if you plan on writing in an area that requires in-depth research and analysis, such as the sciences or law. Otherwise, writers might find it more worthwhile to take the money that would be spent on tuition and instead travel or live abroad. It worked for Hemingway.

Sunday, April 15, 2012

St. Johnsbury World Maple Festival 2012

Book Party! 
Join Helen Chantal Pike Saturday, April 28 at 3 p.m. to celebrate the 45th anniversary of "Tall Trees, Tough Men" at Boxcar & Caboose Books & Cafe in St. Johnsbury, VT. 
Call to reserve your copy: 802-748-3551. 

Josip Novakovich's essay collection, Shopping for a Better Country


Ready to ship today in both print and eBook form from the Dzanc site (and eBooks at Amazon) is Josip Novakovich's essay collection, Shopping for a Better Country.

Shopping for a Better CountryPraised roundly for his fiction, Novakovich has quietly been writing some of the finest essays on war, sex, death, friendship, and immigration. The New York Times has described his work as having "the crackle of authenticity, like the bite of breaking glass." Novakovich, who is now working at becoming a citizen of his fourth country (Yugoslavia, Croatia, United States, and now Canada), reveals himself to be a master of nearly as many forms (the story, the novel, the essay) as passports that bear his name.

Josip Novakovich teaches creative writing at Concordia University in Montreal and has published Infidelities: Stories of War and Lust (Harper Perennial, 2005), April Fool's Day (HarperCollins, 2004--published in ten countries, including UK, Turkey, Poland, Switzerland, Italy, Russia, Hungary), two story collections, Yolk (Graywolf Press) andSalvation and Other Disasters (Graywolf Press), a collection of narrative essays, Apricots from Chernobyl (Graywolf Press), and has been anthologized in Best American Poetry (1997).

Jac Jemc's My Only Wife


Jac Jemc's My Only Wife is now available via Dzanc's website in both print and eBook form (Amazon also has the eBook available now). The print book will be in stores in the next week or so, but feel absolutely free to hit your local indie now  and ask them to order it for you if they don't have it in stock.

The My Only Wifestory of a husband frozen by his grief, obsessed with the wife who left him suddenly ten years ago, offering him no reason for her disappearance nor a chance to change her mind. Throughout the novel, the narrator's remembrances of his wife alternate between romantic and alarming, his own understanding of their relationship shifting as each brief episode related exposes the mystery behind who the wife was to him, and what he might truly have meant to her. Even better, every page of the book hums with Jac's gorgeous, lyric prose.

Blake Butler, author of the novelThere is No Year, recently said that "Jac Jemc's My Only Wife operates with the calm, pristine clarity of an enormous marble room. In moving, methodically arranged sentences, one comes across the surpassing surfaces and relics of a kind of intimacy that seems an increasingly difficult proposition to rightly preserve. At last, here is a novel concerned with timeless dedication, love, and respect, which phrased through Jac Jemc's steady warming eye needs no punchline or coincidence or cataclysm to give true glow to the glow itself."  

Jac Jemc's work has appeared in The Denver Quarterly, Caketrain, Handsome, and Sleepingfish, among others. She is the author of a chapbook of stories, These Strangers She'd Invited In (Greying Ghost Press) and the poetry editor for decomP Magazine.

Kickstarter Project


Dzanc has had a fundraising project accepted by Kickstarter--and it is specifically about our rEprint series.

http://www.kickstarter.com/projects/1774301730/dzanc-books-reprint-series

A bit from the About page of the Kickstarter Page:

As part of our mission to publish great works of literary fiction and nonfiction, Dzanc Books has expanded its publishing to include eBooks. Working with a great staff and distribution, Dzanc has created its rEprint series, the first of its kind, specifically dedicated to bringing back in eBook form works of deserving authors. Included in our current and forthcoming list of some 350 titles are Stephen Dixon, Michael Martone, Jonathan Baumbach, Joseph McElroy, Stephen Graham Jones and National Book Award winner Ellen Gilchrist. Dzanc provides all authors with a generous 50% royalty. It is Dzanc's plan to increase our eBook list to over 1000 titles in 2012 for readers to enjoy.

The process to convert these out of print titles is both time consuming and costly with Dzanc Books spending over $250 per title prior to their being available to readers. Raising the $3500 through this Kickstarter Project will help us offset costs and allow us to bring more books into the rEprint Series and at a more rapid pace.


Dzanc's titles have seen some review action lately:

Jac Jemc's forthcoming novel (April 10), My Only Wifereviewed at Nous Pique:

     "My Only Wife is a sneaky book. It guiles the reader with clean prose and apparent simplicity into believing that it's a novel about the narrator's only wife. It may be about many things - about absence, emptiness, and loss - but it really isn't about the narrator's only wife. It's more like an empty glass from the cupboard, an abstraction, a form, and it invites us to fill it with particulars from our own experience."

Eugene Cross's Fires of Our Choosing has seen a few recent reviews too. From Fiction Writers Review:

     "With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch."


     "How noteworthy is it, then, that Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history."


     "Eugene Cross has created stories in which plot rightly serves as the function of character, and characters' motivations are carefully tended. The stories make sense; they convince. And in each, there are scenes that will stay with readers for a long time."

David Galef's My Date with Neanderthal Women over at Slushpile:

     "...is a compelling read, fun and thought-provoking. The key strength of this book is Galef's ability to anchor such borderline ridiculous plots and twists in recognizable and relatable realities."  

As well as a couple of older titles getting some nice words. Peter Markus's Bob, or Man on Boat via The Lit Pub:

     "(Markus) gives us a story to hold."

And Pamela Ryder's A Tendency to Be Gone via The Nervous Breakdown:

     "A Tendency To Be Gone presents an artist unmoored, ascending exultant heights"  

Interview with Monica Leonelle



Is there any special method to your writing?
Yes! I write about it on Prose on Fire. Here's the link about writing 900-1200 words per hour: http://proseonfire.com/post/18618777174/how-i-consistently-write-900-1200-words-per-hour

How many hours a day do you spend reading/writing?
Probably 2-5 hours writing. Reading is a different story... I feel like I'm always reading.

What inspires you to continue being a writer?
I feel like I mostly write because I can't help it. I love to write and that's how I express myself, day in and day out. I can never understand how people want to be writers or authors when they don't write. I always think, "Then why aren't you writing every day?" I organically average at least 2,000 words a day writing. When I'm finishing up a manuscript, I average closer to 5,000 words a day. This is just what I do, so I never believe people who say they're going to write something but just don't have the time.

If you could have been the author of any novel, which title would it be and why?
I would never want to be the author of a different novel because then I wouldn't be able to read and enjoy it!

Do you think you will ever change audiences?
I'm currently outlining a serialized fiction story that features a large cast of all ages (similar to Game of Thrones). But I doubt I'll ever grow out of the young adult genre. I'm 28 and haven't managed to yet!

What advice would you give anyone who wants to become a published author?
Patience! It's not just for would-be authors, but also for authors. And also for myself :). I want to speed things along whenever I can, but books are a slow business.

And do you have a list of favorite books/authors?
I have tons. My favorite book from the last year is Clockwork Prince by Cassandra Clare. It's so romantic and lovely and sweet. It's actually the second book in the Infernal Devices, so start with the first one, Clockwork Angel.

Saturday, April 14, 2012

Celebrating Poetry Out Loud

APRIL is National Poetry Month

In Defense of Dancing By Ocean Vuong


OceanVuong1.jpg
Born in Saigon, Vietnam, Ocean Vuong is currently an undergraduate at Brooklyn College, CUNY. He was a semi-finalist for the 2011 Crab Orchard Series in Poetry First Book Award and has received an Academy of American Poets award, the Connecticut Poetry Society’s Al Savard Award, as well as four Pushcart Prize nominations. Poems appear in RHINO, diode, Lantern Review, the Collagist, Verse Daily, and PANK, among others. He keeps a blog at www.oceanvuong.blogspot.com

Watch 10 Celebrities Reading Famous Poems Aloud by Emily Temple



for more videos click here

American Poet Launch Party

Join the Academy of American Poets on Poem in Your Pocket Day to celebrate the launch of the newly redesigned American Poet, the Academy's bi-annual journal. Yusef Komunyakaa and other acclaimed poets will read from their work.
Thursday, April 26, 2012
Housing Works Bookstore Café
126 Crosby Street
7:00 PM 

What I Know For Sure About Amazement By Jonathan Safran Foer

jonathan safran foer
Jonathan Safran Foer, author of Everything Is Illuminated and the recently released New American Haggadah, reflects on family meals, Passover—and the power of solar eclipse.